Saturday, January 30, 2010
Thursday, January 21, 2010
SUPREME COURT
It's no longer your government. It's owned, lock, stock and barrell, by corporate interests:
The Supreme Court has ruled that corporations may spend freely to support or oppose candidates for president and Congress, easing decades-old limits on their participation in federal campaigns. By a 5-4 vote, the court on Thursday overturned a 20-year-old ruling that said corporations can be prohibited from using money from their general treasuries to pay for their own campaign ads. The decision, which almost certainly will also allow labor unions to participate more freely in campaigns, threatens similar limits imposed by 24 states.The march of freedom? Free speech? Yeah, suck it!
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Tuesday, January 12, 2010
Directive Fish
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Wednesday, January 6, 2010
"The Sage Chef of Mountain Pass"
"The Sage Chef of Mountain Pass"
This is a painting I did in dedication to my dear friend Dustin. There isn't to much I can elaborate on considering it has personal meanings through out. It is a painting that I had a lot of fun doing though and it has a peaceful tone that usually can't capture. Hopefully I'm able to excel like this again in the future. Happy Holidays
Tuesday, December 22, 2009
Vessel
"Vessel"
There's a rift out in space, and it could be the door, but you know I'm not sure.
If you go through the rift to the palace of ice - might it be nice - is it, paradise.
I'm the commander of time in my vessel of God - I go through the rift to the palace of ice.
We may never come back from the palace of ice because the rift is a door. - WEEN
If you go through the rift to the palace of ice - might it be nice - is it, paradise.
I'm the commander of time in my vessel of God - I go through the rift to the palace of ice.
We may never come back from the palace of ice because the rift is a door. - WEEN
Tuesday, December 15, 2009
Sunflowers at Night
"Sunflowers at Night"
When a friend of mine decided she'd like me to do a painting with Sunflowers I assumed it was going to be a fairly standard foray into the Flower painting realm. As I began on this painting I was listening to a lot of reports about the current social climate (Economy, President Obama's Ahfganistan policy, and Global Warming, religion, etc...) and one mood that i picked up on throughout all the interviews, speeches, and opinion pieces was a general sense of "who knows?" or "what the hell do we do about all this?".
If there's been one mood that has permiatted this decade and my generation, it's been a sense of confusion or being lost in the dark amongst all the weighty issues that stare us in the face on the television or internet everyday. That's what brings me to this painting. Each component of this painting is representative of our current social climate and the players involved. I'll begin with the Sunflowers, they are of course the main part of the painting and are representative of you and I, the common american citizen. They are especially meant to represent the members of my generation, the generation that has been raised and influenced by the Babyboomers and Reaganomics.
The Bright glowing light that is above the entire Sunflower field overseeing them is representative of our Government, the to dots of light next to that light represent the two major parties that have been in control of the political system for as long as any of us can remember. To the left the building with all the lights on is the Legislative branch of the government, for those of you that can't remember what that is, it is the House of Representatives and the Senate. And on the right, the building with only one light on is representative of the Judicial branch/supreme court. All these branches of the government have been the field overseer for generations and generations. And I'd have to say that more so then at any other time in American history that all three seem to hold themselves above the American people as opposed to truly representing them. Ever since the 50's especially passing laws and legislation that has truly undermined the American People's genuine need for life, love, and the pursuit of happiness. What I like to consider the man behind the curtain or at least the 4th branch of our government is the Media. This is represented as the red light towers behind the buildings and bright lights. The reason I chose those lights to represent the media is their view stretches further then the government's, permeating all our lives and information. But at the same time it's influence is a haze and harder to define then that of the government.
Last but certainly not least is the brownish dark sky with the Moon in the background. I chose the moon to be a main focus because I consider landing on the moon to be one of our Nations greatest accomplishments and stretches towards progress. Now in the 21st century we seem to have lost a sense of progress or purpose, the Moon now sitting ghoulishly in the sky, a reminder of where we were headed and where we havn't been since.
To touch on the Sunflowers one last time, as a viewer you'll notice that each one has a different stance, one feels the weight of the world heavy on it's head, another is looking around optimistically at all the opportunities that are surrounding it, a pair of sunflowers are huddling together, keeping each other safe and warm in uncertain times. Although our stances may be different we are all the same in one way or another. And as we move into this next decade hopefully there is a dawn on the horizon and we can continue to progress and move the human species forward into the future with hope and optimism.
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Sunday, December 13, 2009
"Hunter"
This painting was inspired by one of my favorite Authors of all time. Hunter S. Thompson. I wanted to do a painting that encapsulated the care free spirit of this sage like journalist/author. So many artistic interpretations of him have come out acid-washed or druggy and I wanted to do something a little more soothing while still honoring his "Gonzo" nature. One thing that the man had in bulk was his elequance with words, from the controlled insanity of "Fear and Loathing in Las Vegas" to the shockingly balanced journalistic work "Hells Angels: A Strange and Terrible Saga". He could be rip roaring drunk and half loosing his mind on LSD and still put together an essay that would make any english major weep in envy. Through out the painting there are words springing forth from the beach around him, not only english but Chinese to symbolize Hunter's ability to find all sorts of philisophical musings or stories in his surroundings no matter there alien quality (even if he himself was oblivious to their meaning). And of course there sits a drink in a nice tall bottle sitting neatly next to an ash tray holding who knows what kind of substances. The beach was inspired by one of his most respected novels "The Rum Diary : A Novel" and I personally can't wait to see this tale come to life with Johnny Depp once again paying homage to the great American author. He has inspired countless numbers of creative individuals (such as Johnny Depp and the writers at the adult swim cartoon Venture bros.) simply by being himself and I hope to one day read the words of the next Great American Gonzo Journalist. I give you lovingly, "Hunter"
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